By Allardyce Nicoll
Allardyce Nicoll's historical past of English Drama, 1660-1900 was once a tremendous scholarly fulfillment and the paintings of 1 guy. Nicoll's heritage, which tells the tale of English drama from the reopening of the theatres on the time of the recovery all the way through to the top of the Victorian interval, used to be considered by means of Notes and Queries (1952) as 'a nice paintings of exploration, an in depth consultant to the untrodden acres of our dramatic background, hitherto mostly missed as barren and without interest'. The historical past is reissued in seven paperback volumes, on hand individually and as a collection. In volumes 1-5 Nicoll describes the stipulations of the degree, actors and bosses in addition to dramatic genres. The 6th and 7th volumes supply a finished checklist of all of the performs identified to were produced or published in England among 1660 and 1930, with their authors and substitute titles; it has therefore self sustaining price in addition to offering an index to the sooner volumes.
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The casque had more sense than the property man who invented it, for it was ashamed of its post, and fell off Richard's head in his second scene of the act3• Professor Odell chronicles the failures as well as the successes of J. P. Kemble's efforts4, which, in spite of many incon sistencies, were the first real attempts to secure upon the stage the semblance of historical accuracy. In order to understand aright both the general movement of the time and the results secured, we must tum to J. R.
Kemble's efforts4, which, in spite of many incon sistencies, were the first real attempts to secure upon the stage the semblance of historical accuracy. In order to understand aright both the general movement of the time and the results secured, we must tum to J. R. Planche's interesting Recollections. " In 1 872 ," he says, it may surprise many persons to learn that forty or fifty years ago our greatest painters, poets, and novelists were, as far as regarded a correct idea of the civil and military costume of our ancestors, involved in Cimmerian darkness.
G. G. 1 824), adding some apparently realistic details concerning the episode : At one of the last rehearsals Fawcett asked me if I had written a prologue. -they'll tear up the benches ! " They did nothing of the sort. The play . . was a great success, and the custom for prologues to " -Precede the piece in mournful verse, As undertakers strut before the hearse," was broken through for the first time, without the slightest notice being taken of it by the public'. 1 E. Fitzball, op. cit. i. 59.