By Julio Ramos, Translated by John D. Blanco, Foreword by José David Saldívar
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Extra info for Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America [Desencuentros de la modernidad en América Latina]
And Oscar Terán, review of Desencuentros de la modernidad, Boletín del Instituto de Historia de la Universidad de Buenos Aires. For an extended reading of Ramos’s work, see John Beverley, Against Literature (Minneapolis: University of Minnesota Press, ). For an incisive reading of the emergence of this new inter-American criticism as a response to the limits of (North) American cultural criticism from Ralph Waldo Emerson to Richard Rorty, see Paul Jay, Contingency Blues: The Search for Foundations in American Criticism (Madison: University of Wisconsin Press, ).
This study will merely try to specify those mechanisms of authorization that such a gaze would imply: a gaze confronted by the enigmas presented by politics, a gaze that would envision solutions related to the emergent literary ﬁeld. Once again, Martí’s essay ‘‘Nuestra América’’ is in this respect exemplary. In fact, Martí’s essay, which is even today considered Prologue xliii a classic example of Latinoamericanista political and identity writing, becomes a privileged object of this analysis (see chapter ), insofar as it corresponds to the double movement of the hypotheses concerning aesthetics and politics.
Luis MillonesFigueroa, ‘‘El surgimiento de la literatura moderna en Latinoamérica,’’ Nuevo Texto Crítico (): ; María Elena Rodriguez Castro, ‘‘El buen decir y la crítica,’’ Posdata , no. (); Karen Stoley, review of Desencuentros de la modernidad, Hispanic Review , no. (): – ; and Oscar Terán, review of Desencuentros de la modernidad, Boletín del Instituto de Historia de la Universidad de Buenos Aires. For an extended reading of Ramos’s work, see John Beverley, Against Literature (Minneapolis: University of Minnesota Press, ).