By Steven R. Holtzman
This paintings synthesizes rules from a few various disciplines to reach at a philosophy of creativity for the electronic age. Drawing principles from song, computing, paintings and philosophy, it explores the combination of desktops into the artistic procedure. It indicates how desktops may swap the way in which we create. The booklet seems on the use of constitution within the improvement of human languages, within the philosophy of Buddhist monk Nagarjuna and linguist Ferdinand de Saussure, within the track of Arnold Schoenberg and Anton Webern, within the work of Wassily Kandinsky, and the grammars of Panini and Noam Chomsky. It then turns to using desktops for development summary and digital worlds in language, tune, artwork and digital fact, and surveys the paintings of AI pioneer Terry Winograd, composers Gottfried Michael Koenig and Iannis Xenakis, and artist Harold Cohen. the realization discusses the classy implications of those new worlds and introduces the concept that of electronic expression
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Extra resources for Digital Mantras: The Languages of Abstract and Virtual Worlds
Sample text
Where Gothic and Old English have have p. Comparative European language linguistics f, Latin, Greek, and Sanskrit recognized had evolved over that a centuries into single Indo a family of languages. But what was signiflCant to Saussure was not that specific words looked alike among these languages, but that there were regular corre spondences in the positions of sounds throughout tile system. He realized that this reflected a common underlying system or set of rules for combining sounds. What he found important was not the evidence of historical evolution that the similarities between the languages Copyrighted Material 42 Ntigarjuna revealed, but that the Indo-European languages shared a system.
At first these explorations were limited. Composers would make a quick switch to another key and then return again. And then maybe three or five switches before returning to the original key. Composers seemed compelled to develop the new expressive potential that mod ulation made possible. However, these composers' adventurous explorations were not wel comed by the Church. There was a growing concern that these mu sical "tricks" presented too many distractions from the religious text and the content of church services.
Wilkins's Grammar of the Sanskrit Language in 1 808. Both Carey and Wilkins studied with living pundits in India. Franz Bopp's The Sanskrit Conju gation System of 1 8 1 6 compared the conjugation system of Sanskrit with Germanic, Greek, and Latin. During the first half of the nineteenth century, the most important work in comparative linguistics was by Jacob Grimm. His work re flected a swelling national pride in Germany and included a study of the German language, a study of German mythology, and, in col- Copyrighted Material 40 Nagarjuna laboration with his brother Wilhelm, a German dictionary and a col lection of German folk tales, Gemzanic Grimm's Fairy Tales.