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Additional info for Dialogue sur l'essai et la culture
Example text
Ce qui implique obligatoirement qu’on ne saurait, comme on le fait trop souvent, réduire un essai à un message idéologique primaire, soi-disant identique à celui d’autres essais porteurs du même contenu. Ce serait, encore une fois, le réduire à une quelconque prose d’idées et l’expulser de la littérature. Car les « idées » d’un essai n’ont rien de systématique ou de figé : elles sont soumises à ce brassage, à ces distorsions, à ces caprices qui font de la pensée d’un essayiste rien moins qu’une thèse.
Manes », Le Devoir, 26 novembre 2004, A8. Int. ), cette critique du monde culturel aura permis de souligner au passage des traits importants du genre de l’essai ; mais tout n’est pas dit, il me semble, loin de là, et j’ai le goût, puisque te voilà lancé, de chercher à dégager, de manière plus ordonnée, quelques paramètres essentiels de l’essai. LUI – D’accord, mais nous allons commencer, puisque tu veux procéder dans l’ordre, par ce que j’appellerai pompeusement un ajustement sémantique, que je considère comme un préalable obligé : c’est tout bonnement le sens à donner au mot essai.
P. 133. « Lacking a word for “ non-fiction ”, the French have for years substituted essai, thus debasing the literary concept that Montaigne added to their language with such glory four hundred years ago. » ��. Georges Lukács, L’âme et les formes, op. , p. 23. ��. Theodor Adorno, « L’essai comme forme », dans Notes sur la littérature, op. , p. 13. ��. Fernand Ouellette, « Divagations sur l’essai », dans Écrire en notre temps, Montréal, Éditions Hurtubise HMH, 1979, p. 37. Int. indd 43 12/1/08 2:28:52 PM 30 Acte II Dialogue sur l’essai et la culture littéraire.