By James Glanz, Eric Lipton
"A attention-grabbing tale . . . those that thrilled in Caro's energy dealer will enjoy City within the Sky."
-Thomas Bender, The ny occasions e-book Review
The international exchange middle was once the most important and brashest icon that manhattan has ever produced-a pair of brilliant giants that turned in detail common round the globe.
In this shiny, brilliantly researched narrative, New York Times journalists James Glanz and Eric Lipton re-create the lifetime of the area exchange heart from its genesis in David Rockefeller's ambition to rebuild decrease ny to the lively battles with neighborhood storeowners and robust politicians who hostile it, to the daring structural engineering options that may later ensure who lived and died in its cave in. and prefer David McCullough's The nice Bridge, urban within the Sky is a riveting tale of recent York itself- of architectural bold, political maneuvering, human ambition and frailty, and a misplaced American icon.
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Extra info for City in the Sky: The Rise and Fall of the World Trade Center
You are passing things that dangle before your eyes, and they tempt you in a way to stop your mind. But there are things that happened a long time ago that have been done with great love, and are just a wonder in general. As for the library, in a school of architecture the library is not a place 59 where you are thumbing through the files and catalogues and discovering books. Architects have hardly any patience with a catalogue. An architect invariably gets disgusted with the first block of the library, which is the catalogue.
A library, for instance. The first thing that is done is the rewriting of the program. Now this must be accompanied by something which interprets it. Your program alone would not mean anything, because you are dealing with spaces. So you would send back your sketches which encompass your thought about what the nature of it is. Invariably, more spaces are required because every program written by a non-architect is bound to be a copy of some other school or some other building. It’s like writing to Picasso and saying, ‘I want my portrait painted .
My design at Dacca is inspired, actually, by the Baths of Caracalla, but much extended. The residual spaces of this building are an amphitheater. This is residual space, a space that is found, a court. Around it there are gardens, and in the body of the building, which is the amphitheater, interiors, and in the interiors are levels of gardens, and places which honor the athlete, and places which honor the knowledge of how you were made. All these are places of well-being, and places for rest, and places where one gets advice about how to live forever .