By A. D. F. (Alfred Dwight Foster) Hamlin
Variety of pages: 323The goal of this paintings has been to comic strip a few of the sessions and kinds of structure with the broadest attainable strokes, and to say, with such short characterization as appeared permissible or important, an important works of every interval or kind. severe condensation in featuring the top proof of architectural background has been useful, and lots more and plenty that will rightly declare position in a bigger paintings has been passed over right here.
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Curtius, Adler and Treu, Die Ausgrabungen zu Olympia. Durm, Antike Baukunst (in Handbuch d. ). Frazer, Pausanias’ Description of Greece. Hitorff, L’architecture polychrome chez les Grecs. Michaelis, Der Parthenon. , of Athenian Architecture. Perrot and Chipiez, History of Art in Primitive Greece; La Grèce de l’Epopée; La Grèce archaïque. Stuart and Revett, Antiquities of Athens. Tarbell, History of Greek Art. Texier, L’Asie Mineure. Wilkins, Antiquities of Magna Græcia. GENERAL CONSIDERATIONS. Greek art marks the beginning of European civilization.
CONSTRUCTION. All the temples known to us are of stone, though it is evident from allusions in the ancient writers that wood was sometimes used in early times. The finest temples, especially those of Attica, Olympia, and Asia Minor, were of marble. In Magna Græcia, at Assos, and in other places where marble was wanting, limestone, sandstone, or lava was employed and finished with a thin, fine stucco. The roof was almost invariably of wood and gabled, forming at the ends pediments decorated in most cases with sculpture.
The Egyptians lived so much out of doors that the house was a less important edifice than in colder climates. Egyptian dwellings were probably in most cases built of wood or crude brick, and their disappearance is thus easily explained. Relief pictures on the monuments indicate the use of wooden framing for the walls, which were probably filled in with crude brick or panels of wood. The architecture was extremely simple. Gateways like those of the temples on a smaller scale, the cavetto cornice on the walls, and here and there a porch with carved columns of wood or stone, were the only details pretending to elegance.