By Pamela Y. Dees, Pamela Youngdahl Dees
Designed as a realistic reference advisor for pro pianists and piano lecturers, A consultant to Piano track by means of ladies Composers, quantity I, is an annotated catalogue of the on hand piano song in print composed by means of a hundred and forty four ladies born sooner than the 20 th century. The paintings additionally gains biographies and vast bibliographical info for every composer. prepared alphabetically by way of composer into different types together with unmarried works, collections, and anthologies, the tune is additionally defined when it comes to grade point, style, temper, kind features, and technical requisites, and levels in hassle from overdue easy to virtuoso live performance repertoire. a ways too many lecturers, scholars, specialist musicians, and audiences are ignorant of the contributions made via ladies in tune, and of the wonder and advantage in their particular compositions. This reference paintings presents a useful addition to the present literature.
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Extra info for A Guide to Piano Music by Women Composers: Volume I Composers Born Before 1900 (Music Reference Collection)
92/2. Level: Late Intermediate/Early Advanced. (D minor, 3/4, quasi valse lento, 8 pp). In ABAB form, using alternating textures. The plaintive melody first occurs as a RH solo three octaves above the modal chords of the waltz bass; rapid flute-like arpeggios end every phrase. The melody moves to the tenor voice, < previous page page_25 next page > < previous page page_26 next page > Page 26 with an agitated RH fluttering of 16th notes and soprano countermelody. The work closes with an abbreviated return to the first setting.
Henslowe; the couple had one child, Fanny Henslowe. SINGLE WORKS: Three Sonatas for Piano, ed. Barbara Harbach (Vivace Press, 1995). Level: Late Intermediate. For pianoforte or harpsichord. Late Classical sonatas sophisticated in harmony, melody, and form; in each, the first movement is a well-developed sonata-allegro with contrasting themes, and the last is a rondo with development in the second episode. The works contain dramatic pauses, sudden contrasts in dynamics, register and texture, and modulating development sections with fragmented motives, diminished chords and deceptive cadences.
Dissonant suspensions, sliding seventh and ninth chords, descending chromatic scales, and tone clusters caught by the pedal contribute to the portrait of rustling leaves and palely glowing bark, dappled with moonlight and mysterious shade. Indian Pipes Op. 12/2. Level: Late Intermediate. (G major/minor, 3/4, andante con moto, 3 pp). Indian pipes are small plants that poke up through the moist carpet of the forest’s floor after a rain. A rhythmic motive slides chromatically down a fourth; there are flirtations with whole-tone scales and parallel diminished triads.